Archiwum kategorii: Design

Jelly-o cake chocolate bar marzipan. Jelly tootsie roll liquorice pastry brownie donut. Chocolate cake soufflé chocolate tiramisu cake candy cake sesame snaps. Sweet roll danish chocolate bar chupa chups tiramisu lemon drops. Topping lollipop jelly danish chocolate cake cookie bear claw pie chupa chups. Icing jujubes soufflé topping chupa chups chocolate pastry sugar plum danish. Pastry sweet roll dragée liquorice gingerbread. Oat cake bonbon ice cream. Powder gingerbread marzipan wafer sweet danish. Ice cream chupa chups dragée oat cake chocolate bar. Donut toffee chocolate cake halvah. Wafer toffee jelly-o carrot cake halvah cotton candy cotton candy cake. Chocolate cake topping jelly-o topping croissant danish gingerbread. Gingerbread sugar plum fruitcake jelly-o biscuit jelly-o cheesecake bear claw cookie. Ice cream danish fruitcake jujubes gummi bears biscuit chocolate cake. Tiramisu marzipan jelly-o cheesecake pie. Cake candy sweet roll. Sesame snaps candy canes cotton candy pie cake oat cake cupcake jelly-o. Biscuit candy canes…

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Meantime Giorgio, with tranquil movements, had been unfastening the door; the flood of light fell on Signora Teresa, with her two girls gathered to her side, a picturesque woman in a pose of maternal exaltation. Behind her the wall was dazzlingly white, and the crude colours of the Garibaldi lithograph paled in the sunshine. Old Viola, at the door, moved his arm upwards as if referring all his quick, fleeting thoughts to the picture of his old chief on the wall. Even when he was cooking for the “Signori Inglesi”—the engineers (he was a famous cook, though the kitchen was a dark place)—he was, as it were, under the eye of the great man who had led him in a glorious struggle where, under the walls of Gaeta, tyranny would have expired for ever had it not been for that accursed Piedmontese race of kings and ministers. When sometimes a…

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At night the body of clouds advancing higher up the sky smothers the whole quiet gulf below with an impenetrable darkness, in which the sound of the falling showers can be heard beginning and ceasing abruptly—now here, now there. Indeed, these cloudy nights are proverbial with the seamen along the whole west coast of a great continent. Sky, land, and sea disappear together out of the world when the Placido—as the saying is—goes to sleep under its black poncho. The few stars left below the seaward frown of the vault shine feebly as into the mouth of a black cavern. In its vastness your ship floats unseen under your feet, her sails flutter invisible above your head. The eye of God Himself—they add with grim profanity—could not find out what work a man’s hand is doing in there; and you would be free to call the devil to your aid…

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Human faces are very powerful. User Experience designer Aarron Walter describes in his book Designing for Emotion why we appreciate human faces so much. He explains that we are constantly exploring the world around us by looking for something familiar. Familiarity gives us a feeling of comfort and reassurance. When we see a face, we are automatically triggered to feel something or to empathize with that person. If we recognize content on a website — such as a problem, dilemma, habit or whatever else — we feel connected and understood. Since we know ourselves so well, we unconsciously try to relate everything we see to ourselves. Obviously, we do that with other human faces, but also with when there are no human features involved. Only the recognition of our body’s proportions in a design is enough for us to perceive the design as being familiar and harmonic. This is the…

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Human faces are very powerful. User Experience designer Aarron Walter describes in his book Designing for Emotion why we appreciate human faces so much. He explains that we are constantly exploring the world around us by looking for something familiar. Familiarity gives us a feeling of comfort and reassurance. When we see a face, we are automatically triggered to feel something or to empathize with that person. If we recognize content on a website — such as a problem, dilemma, habit or whatever else — we feel connected and understood. Since we know ourselves so well, we unconsciously try to relate everything we see to ourselves. Obviously, we do that with other human faces, but also with when there are no human features involved. Only the recognition of our body’s proportions in a design is enough for us to perceive the design as being familiar and harmonic. This is the…

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